Moove to Japan (Yokohama): November 2013 (the atelier should open in January2014)

 

 

 

The last borned in Cremona, same model (inspirate by G.B. Guadagnini)

 

 

 

 

 

 

 

 

 

 

 

 

The Duerer violin is finally ready to play!

 

 

 

 

 

 

 

 

 

                               Preparing the fingerboard

 

 

 

 

 

 

 

 

Cutting ff holes

 

 

 

 

 

 

 

 

          Finishing the lining strips, nice "trucciolo"

 

 

 

 

 

 

 

Finishing the lining strips

 

 

 

 

 

 

 

 

                                                 Fluting of the edge

 

 

 

 

 

 

 

 

Cutting the purfling chanel

 

 

 

 

 

 

 

 

                              Signing the purfling chanel

 

 

 

 

 

The birth of the scroll, little video with sounds of the atelier (click here)

 

 

 

 

 

New blocks are fitted and glued in the corners (Duerer's violin)

 

 

 

 

 

 

 

 

The violin (Duerer) doesn't have corner blocks

 

 

 

 

 

 

 

Rib patch (Duerer's violin)

 

 

 

 

 

 

 

 

         A crack on the "C" rib (Duerer's violin)

 

 

 

 

 

 

 

 

Repair of a german violin (Wilhelm Duerer, Eisleben 1912) with a nice decoration on the back

 

 

 

 

 

 

 

 

 

            Finishing the neck and the nut (the neck is already glued in the body)

 

 

 

 

 

 

 

 

 Finishing the edges

 

 

 

 

 

 

 

 

 

                                   Finishing with scraper

 

 

 

 

 

 

 

 

 

Gluing the belly

 

 

 

 

 

 

 

 

                              

                                Gluing the back on the ribs

 

 

 

 

 

 

 

 

 

 The bassbar is fitted and glued

 

 

 

 

 

 

 

 

 

                                         Cutting out the f holes

 

 

 

 

 

 

 

 

 

The finishing of the arching

 

 

 

 

 

 

 

 

                                                          

                                               The purfling channel

 

 

 

 

 

 

 

 

 

Roughing out the arching of the back.

 

 

 

 

 

 

 

 

 

                                      The carving of the scroll.

 

 

 

 

 

 

 

 

 

The ribs are then glued on tge blocks.

 

 

 

 

 

 

 

 

 

                                          Iron bending the ribs.

 

 

 

 

 

 

 

 

 

The blocks (spruce) are glued on the form.

 

 

 

 

 

 

 

 

 

 

                                            

                                                The choice of wood (spruce and mapple).

 

 

 

 

 

 

 

 

   First coat of varnish.

 

 

 

 

 

 

 

 

 

 

  Insertion of the neck into the body (violin).

2013
Now on my workbench